{"id":465,"date":"2014-03-10T02:38:07","date_gmt":"2014-03-10T01:38:07","guid":{"rendered":"http:\/\/www.yordan-parushev.org\/?page_id=465"},"modified":"2016-09-22T17:38:50","modified_gmt":"2016-09-22T15:38:50","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/yordan-parushev.org\/en\/press\/bibliography\/","title":{"rendered":"Publications"},"content":{"rendered":"

[vc_row row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_gallery interval=”5″ images=”1037,1045,1038,1277,1049,1048,1047,1046,1044,1043,1042,1041,1040,1039,1278″ img_size=”full” onclick=””][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text]<\/p>\n

\u00a0<\/span><\/p>\n

\u201cYordan Parushev receives the Award for painting by the Ministry of Culture\u201d, Darik <\/i>News<\/strong>, 17.05.2011;<\/span><\/p>\n

\u201cIlluminated pathways or the road we travel\u201d, \u2018Duma\u2019 <\/strong>daily, 03.02.2011;<\/span><\/p>\n

\u201cYordan Parushev will present an exhibition by Bulgarian painters in Brussels\u201d, Bulgarian Telegraph Agency<\/strong>, 15.05.2008;<\/span><\/p>\n

\u201cSofia falls under the spell of Parushev\u2019s collages\u201d, (by Lydmila Purvanova) in \u201cStandard<\/strong>\u201d daily, 21.05.2008;<\/span><\/p>\n

\u201cSeeing the invisible or the art exhibition as a psychology test\u201d, (by Milena Boykova Terziyska\u201d in \u201cNovinar<\/strong>\u201d daily, 01.07.2008;<\/span><\/p>\n

\u201cMessages of the senses\u201d, (by Adelina Fileva) in \u201cKultura<\/strong>\u201d weekly, 27.06.2008;<\/span><\/p>\n

\u201cBig exhibition of Bulgarian artwork travels around Europe\u201d, (by Prof. Bozhidar Boyadzhiev\u201d in \u201cKultura<\/strong>\u201d weekly, 20.04.2007;<\/span><\/p>\n

\u201cBulgarian culture will be presented in Baden-Austria\u201d, Focus Information Agency<\/strong>, 06.04.2007\u201d<\/span><\/p>\n

\u201cYordan Parushev at the \u201cChapel\u201d of the National Art Gallery\u201d, (by Diana Draganova), \u201cKultura<\/strong>\u201d weekly, 18.04.2006;<\/span><\/p>\n

\u201cThe Triennial in New Delhi bets on tradition\u201d, \u201cLik<\/strong>\u201d magazine, 4\/2005\u201d;<\/span><\/p>\n

\u201cThrough the depths of painting \u2013 Conversions <\/span>\u2013 exhibition by Yordan Parushev at Circle+<\/i> Gallery\u201d (by Stanislav Pamukchiev\u201d in \u201cKultura<\/strong>\u201d weekly, 18.02.2005;<\/span><\/p>\n

\u201cA cultural oasis in the heart of the capital, Circle+<\/i> Gallery\u201d (by Ekaterina Pavlova) in \u201cDiplomatic Review<\/strong>\u201d magazine, 02.2005;<\/span><\/p>\n

\u201cVersions of contemporary painting, exhibition Social\/<\/span>Poetic Reality<\/span>, (by Svilen Stefanov) in \u201cKultura<\/strong>\u201d weekly, 21.05.2004;<\/span><\/p>\n

\u201cDonors of the 21st<\/sup> century \u2013 donations at the Sofia City Art Gallery reveal history\u201d, (by Diana Popova\u201d in \u201cKapital<\/strong>\u201d daily, 08.2004;<\/span><\/p>\n

\u201cThe strong wind of Sliven\u201d, (by Maria Landova\u201d in \u201cKapital<\/strong>\u201d daily, 29.03.2003;<\/span><\/p>\n

\u201cPainters-pictorial art. The exhibition 10x5x3<\/span>, National Art Center for Contemporary Art, 6, Shipka street, Sofia\u201d, (by Diana Popova) in \u201cKultura<\/strong>\u201d weekly, 03.10.2003;<\/span><\/p>\n

\u201cIn praise of the colorless \u2013 the exhibition Achroma<\/span>, National Art Center for Contemporary Art, 6, Shipka street, Sofia\u201d, ( by Svetla Petkova) in \u201cKultura<\/strong>\u201d weekly, 07.06.2002;<\/span><\/p>\n

\u201cA Paris art salon receives Bulgarian painters\u201d, (by Luciena Krumova\u201d in \u201cStandard<\/strong>\u201d daily, 09.04.2001;<\/span><\/p>\n

\u201cTorn up color\u201d, (by Maria Landova) in \u201cKapital<\/strong>\u201d daily, 24.11.2001;<\/span><\/p>\n

\u201cYordan Parushev and his journey through the world of collage\u201d, (by Ruen Ruenov) in \u201cDemokratia<\/strong>\u201d daily, 11.2001;<\/span><\/p>\n

\u201cCollage as an experiment \u2013 Yordan Parushev returned from the renowned Cit<\/i>\u00e9 internationale des arts<\/i> in Paris\u201d, (by Margarita Yordanova) in \u201cRepublika<\/strong>\u201d daily, 15.11.2001;<\/span><\/p>\n

\u201cHow to make a Noah\u2019s Ark out of napkins\u201d, (by Elena Krusteva) in \u201cMonitor<\/strong>\u201d daily, 06.12.2001;<\/span><\/p>\n

\u201cAdventures with paper and color\u201d, the National Art Center for Contemporary Art, 6, Shipka street presents a meaningful exhibition\u201d, (by Ruen Ruenov) in \u201cDemokratia<\/strong>\u201d daily, 01.02.2000;<\/span><\/p>\n

\u201cPlovdiv \u2013 European capital of collage\u201d, (by Ilina Koralova) in \u201cKapital<\/strong>\u201d daily, 22.04.2000;<\/span><\/p>\n

\u201cThe painter as a man of his time\u201d, 30th<\/sup> anniversary of the Autumn Salon of Arts in the old town of Plovdiv, (by Svetla Moskova) in \u201cKultura<\/strong>\u201d weekly, 22.10.1999;<\/span><\/p>\n

\u201cExhibition, The Road<\/span>\u201d, (by Dobrinka Ivanova) in \u201cOpen Society Foundation bulletin<\/strong>\u201d, 22.02.1998;<\/span><\/p>\n

\u201cKonstantin Denev-sculpture, Yordan Parushev \u2013 painting. January 1997, Rayko Alexiev <\/i>Gallery\u201d, (by Stanislav Pamukchiev) in \u201cArt<\/strong>\u201d magazine 41\/1997;<\/span><\/p>\n

\u201cThe painter Yordan Parushev says, \u2018I keep on painting, which means that I am protesting\u2019\u201d, (by Kiril Popov) in \u201cDemokratia<\/strong>\u201d daily, 22.01.1997;<\/span><\/p>\n

\u201cThe exhibition of Yordan Parushev-painting and Konstantin Denev-sculpture\u201d,\u00a0<\/span>(by Ilina Kolarova\u201d in \u201cKultura<\/strong>\u201d weekly, 31.01.1997;<\/span><\/p>\n

\u201cThe Road \u2013 conceptual\u2026figurative\u2026abstract\u201d, (by Alexander Doychinov) in \u201c6+<\/strong>\u201dnewspaper, 08.03.1996;<\/span><\/p>\n

\u201cThe recipient of the Sirak Skitnik <\/i> award is Yordan Parushev\u201d, (by Annie Nencheva) in \u201cOpen Society Foundation bulletin<\/strong>\u201d, issue 163;<\/span><\/p>\n

\u201cPlastic forms of light and pain\u201d, (by Kiril Popov) in \u201cVek<\/strong>\u201d newspaper, 20.05.1995;<\/span><\/p>\n

\u201cYordan Parushev: \u2018In the next Noah\u2019s Ark there may be place only for art\u2019\u201d, (by Kiril Popov), an interview for \u201cLiteraturen vestnik<\/strong>\u201d weekly,<\/span><\/p>\n

\u201cDirections of nostalgia in Sofia\u201d, (by Dimitar Grozdanov) in \u201cKultura<\/strong>\u201d weekly, 17.11.1995;<\/span><\/p>\n

\u201cYordan Parushev presents his exhibition inspired by motifs in Castaneda\u2019s works\u201d, (by Petko Petkov) in \u201cNovinar<\/strong>\u201d daily, 18.01.1994;<\/span><\/p>\n

\u201cRoaming on the steps of \u201cShipka 6\u201d, (by Elena Popova) in \u201cKultura<\/strong>\u201d weekly, 09.12.1994;<\/span><\/p>\n

\u201cSummer Theater University Sliven\u201993, <\/i>Kick<\/span> exhibition\u201d, (by Dolores Bogomilova) in \u201cVek<\/strong>\u201d newspaper, 27.07.1993;<\/span><\/p>\n

\u201cThe two dimensions of laughter\u201d, (by Dimitar Grozdanov\u201d in \u201cNarodna Kultura<\/strong>\u201d weekly, 16.06.1989;<\/span><\/p>\n

\u201c A play on the road \u2013 a happening in Turgovishte\u201d, (by Diana Popova) in \u201cNarodna Kultura<\/strong>\u201d weekly, 04.08.1989;<\/span><\/p>\n

\u201cThe unexpected quests of the painter from Sliven \u2013 Yordan Parushev\u201d, (by Vesela Hristova Radoeva in \u201cPuls<\/strong>\u201d newspaper, 29.03.1988;<\/span><\/p>\n

\u201cPersonal truths and the common road \u2013 regional exhibition of painters from Sliven\u201d, (by Rumen Serafimov\u201d in \u201cSlivensko delo<\/strong>\u201d daily, 27.03.1986;<\/span><\/p>\n

\u201cArt life outside of the capital\u201d, (by Boris Klementiev and Dimitar Grozdanov) in \u201cArt<\/strong>\u201d magazine, 4\/1986;<\/span><\/p>\n

\u201cOn the symbolism of war in the general art exhibition Painters and peace<\/span>\u201d, (by Plamena Dimitrova Racheva) in \u201cArt<\/strong>\u201d magazine, 1\/1985;<\/span><\/p>\n

\u201cProofs of creative maturity \u2013 an exhibition by painters from Sliven\u201d, (by Maximilian Kirov) in \u201cSlivensko delo<\/strong>\u201d daily, 04.05.1985;<\/span><\/p>\n

\u201cAnd social importance \u2013 the Bulgarian participation the 3rd<\/sup> biennial of graphic art in Varna\u201d, (by Dimitar Grozdanov) in \u201cNarodna Kultura<\/strong>\u201d weekly, 26.07.1985;<\/span><\/p>\n

\u201cTalent, penchant and traditions \u2013 7th<\/sup> National Youth Exhibition\u201d, (by prof. Atanas Bozhkov) in \u201cOtechestven front\u201d<\/strong> daily, 1985;<\/span><\/p>\n

\u201cConfidence. Regarding the regional art exhibition\u201d, (by Encho Mutafov) in \u201cSlivensko delo<\/strong>\u201d daily, 26.01.1984.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_gallery interval=”5″ images=”1037,1045,1038,1277,1049,1048,1047,1046,1044,1043,1042,1041,1040,1039,1278″ img_size=”full” onclick=””][\/vc_column][\/vc_row][vc_row row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text] \u00a0 \u201cYordan Parushev receives the Award for painting by the Ministry of Culture\u201d, Darik News, 17.05.2011; \u201cIlluminated pathways or the road we travel\u201d, \u2018Duma\u2019 daily, 03.02.2011; \u201cYordan Parushev will present an exhibition…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":155,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-465","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/pages\/465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/comments?post=465"}],"version-history":[{"count":11,"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/pages\/465\/revisions"}],"predecessor-version":[{"id":2861,"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/pages\/465\/revisions\/2861"}],"up":[{"embeddable":true,"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/pages\/155"}],"wp:attachment":[{"href":"https:\/\/yordan-parushev.org\/en\/wp-json\/wp\/v2\/media?parent=465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}